5 things you’ll find in a typical Prabhudeva film

Love them/hate them but you just can’t ignore Prabhudeva’s films. Agreed, they’re way too cliché, massy and far too often, eardrum-shattering noisy. But Prabhudeva’s formula – a unique mix of dance, action, comedy and some navel-gazing objectification of women – always strikes it gold.

Here’s cracking Prabhudeva golden formula.

A hero who is all-capable, all-conquering and all-romancing

Prabhudeva’s men seem to have one quality – they are capable of doing just about anything. From kicking the bad guys to wooing the PYT, the world is their oyster. Here’s Salman Khan showing his ‘magical skill’ of making things disappear in Wanted.

Cheesy one-liners

Lots of them. Then, he uses and reuses one till it becomes popular with the rickshaw-wallahs. Sample: ‘Ek baar jo maine commitment kardi, toh phir main apne aap ki bhi nahin sunta,’ Salman Khan roars in Wanted. ‘Don’t angry me,’ Akshay rages in Rowdy Rathore, as he twirls his moustache. Dialogues are a major attraction in most of his

films.

Some awesome dance moves

Once a dancer, always a dancer. When a choreographer turns director, he can make anyone dance like a pro. Take Mr Two Left Feet Ajay Devgn showing his moves in Keeda.

The Desi Women

Women in Prabhudeva’s films are like colourful butterflies flying around. They are props and are there just to excite the men’s libido. Yet, no heroine says ‘No’ to him, simply because nobody wants to risk a 100 crore project.

His surprise cameos

He’s no Hitchcock. But Prabhudeva still has the confidence somehow to put in a cameo time and again. Inspired by a certain Mr Subhash Ghai?

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